The Grebo fashion style was dreadlocks, partially shaved heads and high ponytails, undercut or shaved long hair, leather bike jackets and/or jeans, baggy clothing, boots, lumberjack shirts, loose tatty jeans, army surplus clothing, and eccentric hats and scarfs.
The movement, although short-lived, was a reasonable success at the time, and influenced a number of later bands. To a certain extent it was a music press invention, much like positive punk, a scene and style named by British indie magazines, specifically NME and the Melody Maker. The scene occupied the period in the late 1980s and early 1990s before Grunge, Britpop and other forms of Anglo-American alternative rock took over.
^Vladimir Bogdanov (editor), All Music Guide to Electronica: The Definitive Guide To Electronic Music, page 404 (Backbeat Books, 2001). ISBN 0-87930-628-9. Quote: "Honing a fusion of rock, pop, and rap which they dubbed 'grebo', the Poppies kickstarted a small revolution."
^ abStrong, Martin C. (1999). The Great Alternative & Indie Discography. Canongate. pp. 169, 711. ISBN0-86241-913-1. "Lumped in with the media created "Grebo" scene along with Pop Will Eat Itself, Gaye Bykers on Acid and the early Wonder Stuff, Crazyhead.../[Wonder Stuff] initially lumped in with contemporaries like Pop Will Eat Itself and Crazyhead under the music-press created 'grebo' banner/etc.."
^Larkin, Colin (1992). The Guinness Who's Who of Indie and New Wave Music. Guinness Publishing. pp. 73–74. ISBN0-85112-579-4. "In common with Gaye Bikers on Acid (sic), Bomb Party, and Pop Will Eat Itself, [Crazyhead] were linked with the media-fuelled 'biker' or 'grebo' rock genre."